Reviews Tolomeo Karlsruhe Händel Festspiele

"The mezzo-soprano Eléonore Pancrazi as Elisa and another counter, Meili Li, as Alessandro meet the challenge of a second pair of bright voices in a sophisticated way."
https://www.fr.de/kultur/theater/haendel-festspiele-karlsruhe-trauer-muss-tolomeo-tragen-13542634.html

"The Elisa of Eleonore Pancrazi can be quite enchanting. Always come up with a very pointed mezzo-soprano and convince in its diverse coloratura arias moved by contrary emotional storms."
https://onlinemerker.com/arlsruhe-badisches-staatstheater-tolomeo-re-degitto-von-g-f-haendel/

"The evidence of the antagonistic couple, that is Eléonore Pancrazi, a very lively and authoritative Elisa"
https://www.giornaledellamusica.it/recensioni/jakub-re-di-karlsruhe

"And because Eléonore Pancrazi as a power-conscious, eloquent and mezzo-full Elisa"
https://www.concerti.de/oper/opern-kritiken/badisches-staatstheater-karlsruhe-tolomeo-14-2-2020/

«Louise Kemény as Seleuce and Eléonore Pancrazi as Elisa slip into roles of the competing soprano stars at the premiere, Francesca Cuzzoni and Faustina Bordoni, and literally outdo each other in their competition to sensibilize the best natural metaphors. They both do this in noble singing culture and not in the prima donna manner."
https://www.google.com/amp/s/www1.wdr.de/radio/wdr3/musik/opernblog/haendel-tolomeo-karlsruhe-100.amp

"(…)while Eléonore Pancrazi tries with success and dramatic verve to get a poisonous Elisa."
https://www.nmz.de/online/auch-rumstehtheater-die-43-haendelfestspiele-in-karlsruhe-mit-haendels-tolomeo-eroeffnet

«The Corsican Mezzo Pancrazi, blessed with the appropriate temperament, is in top form in her revenge aria, in which above all she can hear a very cultivated middle position (" I despise primitive love and false oaths "). »
https://klassik-begeistert.de/georg-friedrich-haendel-tolomeo-re-degitto-badisches-staatstheater-karlsruhe-premiere-14-februar-2020/

«Seleuce's opponent Elisa, who also loves Tolomeo, is cooler, more spectacular, but also one-dimensional in Eléonore Pancrazi's interpretation. Her slightly throaty voice sound is direct and resounding. Her turned coloraturas become fascinating outbursts of emotion. »

https://www.die-deutsche-buehne.de/kritiken/somnambule-weit

«Éléonore PANCRAZI also offers first-class baroque singing with great virtuosity and extensive diction."

Die Rheinpfalz

“Eléonore Pancrazi furnishes the intriguing Elisa with rich mezzo-soprano and flexible coloratura. »

http://www.omm.de/veranstaltungen/musiktheater20192020/KA-tolomeo.html

«Elèonore Pancrazi (Elisa) convinces with brilliant coloraturas for her (self) destructive jealousy scenes. »

http://theaterpur.net/nebenan/2020/02/karlsruhe-tolomeo.html

«With virtuoso mezzo, Eléonore Pancrazi characterizes them as sometimes hysterical furies. (...)

The excellent vocal quintet and the remarkably detailed and emphatically musical German Handel soloists under the direction of Federico Maria Sardelli give a musically outstanding performance that undoubtedly sets standards. »

https://www.rnz.de/kultur-tipps/kultur-regional_artikel,-haendel-festspiele-in-karlsruhe-schwebend-zwischen-realitaet-und-traum-_arid,499912.html

«Eléonore Pancrazi designs the corresponding endless coloratura chains with intensive phrasing»

https://www.google.com/amp/s/www.sueddeutsche.de/kultur/haendel-festspiele-was-fuer-ein-mann-der-so-hoch-singen-kann-1.4800041!amp

"There is unanimous, lasting cheer, interspersed with Bravo calls Handel soloists, their conductor and especially the vocal ensemble, not just the brilliant Orliński. (…) The glowing mezzo of the Pancrazi is still alive, her vocal career from the strict to the strict mild. "

O-Ton

"His sister Elisa, Mezzo-soprano Eléonore Pancrazi, gives the perfect poison with a wonderfully dark sound."

Neueste Nachrichten

"Elisa's character is more differentiated. Behind her revenge plans is a deep-seated injury, which Eléonore Pancrazi expresses with her wonderfully warm, full voice to the point of outcry."

Badisches Tagblatt

"The evidence of the antagonistic couple, Eléonore Pancrazi, a very lively and authoritative Elisa, and Morgan Pearse, an angry macaw of beautiful color and voice weight, are also completely convincing."

Gdm

"Musically, the evening moves at a high level and leaves nothing to be desired. A top-class ensemble has been put together in Karlsruhe. (...) Eléonore Pancrazi equips the scheming Elisa with a rich one Mezzo-soprano and movable coloratura.”

Online Musik Magazine

Eléonore Pancrazi