Reviews Gli Amori d'Apollo e di Dafné - Innsbruck Festwochen der Alte Musik

« Nelle parti determinanti d’Aurora e d’Amore hanno brillato la còrsa Eléonore Pancrazi, anche in quest’occasione vocalmente sicurissima, padrona d’un disinvolto gioco scenico e realizzatrice d’una suggestiva “danza d’ombra” al momento del congedo da Cefalo, (...). Anche la Pancrazi, (...), cantato con intensa partecipazione e felici messe di voce, ha coperto a fianco del suo ruolo principale quelli d’una Ninfa e d’una Musa. »

http://www.operaclick.com/recensioni/teatrale/innsbrucker-festwochen-der-alten-musik-theologische-fakultät-innenhof-gli-amori-

« It is presented as “Barockoper: Jung,” owing to the young ages of singers, although in most cases it does not reflect their experience, which since their success in the previous year’s competition will have increased significantly (...) for example (...) Eléonore Pancrazi has performed widely in French opera houses, including Théatre des Champes-Elyées, and is scheduled to sing in Glyndebourne Festival Tour this autumn. 

The high standard of the cast, therefore, allows one the opportunity to see an opera with an enthusiastic young group of talented singers, who are already well on their way to establishing a career for themselves.

Unfortunately, mezzo soprano Eleonore Pancrazi, who was playing the roles of Aurora, a nymph and a muse was unfit to sing on the evening of the performance. She was, however, able to mime the role of Aurora, which she accomplished with great skill, portraying her as a good-time girl, always on the look out for the next man, unfortunately for her eternal, yet aging husband, Titone. »

http://operawire.com/innsbruck-early-music-festival-2018-review-gli-amore-dapollo-e-dafne/

« La mezzo italienne (française mais d’origine corse pour être plus précise) Eléonore Pancrazi, souffrante, joue le rôle sans le chanter, en faisant preuve au passage d'une remarquable expressivité corporelle. »

http://www.baroquiades.com/articles/chronic/1/apollo-e-dafne-cavalli-innsbruck-2018

« Eléonore Pancrazi legt die Partie der Aurora als männermordenden Vamp an. Mit einer blonden Perücke und einem weißen Kleid wirkt sie wie eine Reminiszenz an Marilyn Monroe. Mit kräftigem Mezzosopran macht sie deutlich, dass diese Frau ganz genau weiß, was bzw. wen sie will. »

http://www.omm.de/veranstaltungen/festspiele2018/INNSBRUCK-2018-apollo-e-dafne.html

« Als Aurora konnte die korsische Mezzosopranistin Eléonore Pancrazi in den Szenen mit Cefalo ihre erotische Ausstrahlung ausspielen, daneben gab sie auch eine Nymphe und eine Muse. »

https://onlinemerker.com/innsbruck-festwochen-der-alten-musik-apollo-e-dafne-von-francesco-cavalli-premiere/

« Auch Eléonore Pancrazi (...) begeisterten das Publikum. »

http://dieterdavidscholz.de/Musiktheater%20Kritiken/apollo%20e%20dafne.%20cavalli%20in%20innsbruck.html

« Sul piccolo palcoscenico del Cortile della Theologische Fakultät di Innsbruck il 20 agosto 2018 c'era una fitta compagnia di giovani, ben preparata e concorde. (...) Stilisticamente, non hanno mancanze.(...) Gli altri coprono più parti, ma per brevità ne citiamo solo la principale: la fatua Aurora di Eléonore Pancrazi. »

https://www.teatro.it/notizie/lirica/apollo-e-dafne-un-amore-impossibile